Chapter 20 - Header
Another element of the production draft is the HEADER. A header occupies
the same line as the page number, which is on the right and .5" from the
top. Header information is printed on every script page. Information contained
in the header includes the date of the revision and the color of the page. The
header of the production draft of a script might look like this:
REVISED April 30, 2001 BLUE
1.
REVISED April 30, 2001 BLUE will print at the top of every single revised
page, unless you tell your scriptwriting program to omit this information on
the first page. On the first page of a production draft, however, you should
include your header, if you have one. The page number will, of course, change.
Writing Tip:Don't worry about what color of paper to use for subsequent
changes to the same scene. If your still writing the revisions once the script
is in production, they'll tell you what to use. This is determined by the production
staff.
Do's and Don'ts
Do's
• Do proofread your
script. Spelling is very important. Don't trust your spell checking program, it
may miss grammatical errors and won't have some terms in its built-in
dictionary.
• Do get someone else to
proofread your script. A fresh pair of eyes will often catch something you
continue to miss.
• Do get the best
photocopy you can. No one wants to read a dirty page.
• Do use good quality
brass brads to bind your script. Acco #5 brads are the best, because they are
long enough to fit through the entire thickness of your script. Solid brass
brads (as opposed to brass-plated brads) are preferable.
• Do register your script
with the Writers Guild of America but don't forget to copyright it as well. A
WGA registration expires quickly, while a copyright is good for decades.
• Do send a one-page (or
less) cover letter with your script when you send it out. Make the letter
short, concise and to the point. There are books and articles on the subject,
but basically they simply want to know what the script is about and where to
reach you.
• Do follow the rules
unless you KNOW a darn good reason not to.
Don'ts
• Don't create a fancy
Title page with giant fonts, colored letters, etc. A Title page has title and
screenwriter's name(s) in the middle, and your contact information (address,
phone number) at the lower right hand.
• Don't put a quotation on
the title page. Most likely, no one but you will care.
• Don't put a date on your
script, or the draft version.
• Don't put blank pages in
the script to set things apart.
• Don't put a second page
with the quotation that tells the theme of your screenplay.
• Don't do a page of
character descriptions and back story. That's a convention from the theater
that is inapplicable in Hollywood. If your script doesn't tell that story,
you're in trouble.
• Don't include any
illustrations, no matter how cute you think they are.
• Don't put the script
title on the first page of the script.
• Don't use more than two
brads, but use three-hole paper. Brads are used in top and bottom holes only.
• Don't use colored paper
or anything but 20 pound 3 hole punch paper.
• Don't expect to have
your script returned to you. Send it out, let it go. If a self-addressed,
stamped envelope (SASE) is specified, include one. Then relax; a lot of people
will have sent scripts to the same company.
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